A synthesis is a written discussion that draws on one or more sources. It follows that your ability to write syntheses depends on your ability to infer relationships among sources - essays, articles, fiction, and also nonwritten sources, such as lectures, interviews, observations. This process is nothing new for you, since you infer relationships all the time - say, between something you've read in the newspaper and something you've seen for yourself, or between the teaching styles of your favorite and least favorite instructors.
The question is, what do you cut? The basic structure of many narrative plots includes a lengthy middle section during which characters repeatedly get in and out of trouble on their way to the climactic encounter. Most episodes of Doctor Whofor instance, involve the main characters getting captured and escaping repeatedly in the middle portion of the adventure.
Although such events are exciting to watch, they often clutter a plot summary with excessive and repetitive detail. Cutting less important ones can make the plot summary tighter and easier to understand. Necessary detail, however, must be maintained. A summary of Odyssey as "Odysseus, returning home from the Trojan War, has many adventures which he uses his wits to escape until he reunites with his wife and kills the men who were trying to take over his kingdom" would omit almost all of the important passages and confuse the readers.
Even though they may know how the Odyssey ends, it's hard to say that they understand the work well enough to appreciate its context and impact.
However, the Odyssey contains various scenes where people recount myths to each other, and other such scenes of little importance to the main plot. If most of these get left out, or mainly consist of a sentence or two, that is not a problem, and helps keep the focus on the main story.
In works less vital to the foundations of academia and the founding of the Western literary tradition, even more detail could safely be left out as unimportant, including entire lengthy subplots.
The three basic elements of a story are plot, character and theme. Anything that is not necessary for a reader's understanding of these three elements, or is not widely recognized as an integral or iconic part of the work's notability, should not be included in the story.
Length There is no universal set length for a plot summary, though it should not be too excessively long. Well-written plot summaries describe the major events in the work, linking them together with fairly brief descriptions of the less important scenes or paraphrase dialog.
While it is difficult to quantify a strict word limit since no two articles are equal, however, the Wikipedia Manual of style offers some general recommendations to editors.
The Film style guideline suggests that "plot summaries for feature films should be between and words". The TV style guideline recommends "no more than words" for television episodes in episode lists, or "no more than words" in standalone episode articles.
The Novels style guideline says that plot summaries "should aim to be no more than three or four paragraphs". The Video game style guideline states "no more than approximately words to retain focus".
However, particularly complex plots may need a more lengthy summary than the general guidance.
While longer descriptions may appear to provide more data to the reader, a more concise summary may in fact be more informative as it highlights the most important elements.
By focusing the reader's attention on the larger structures of a plot, without drowning it in trivial detail, a shorter summary can often help the reader to understand a work much better than an overlong one.
Some editors also feel that overlong plot summaries can pose a problems in terms of neutrality. Wikipedia must not give undue weight to one perspective at the expense of others. A long and overly detailed plot summary that relies on the fictional work toward that single primary source and may lack the balance of coverage that can only be gained from secondary sources.
Excessively detailed plot summaries may also infringe on copyright and fair-use concerns. Plot-only description of fictional works Copyright for more.
As a rule, try to expand other sections of the article providing a real work perspective before adding to the plot summary.
Our best fiction articles tend to have more real-world information than plot summary, not the other way around. If no more real-world information can be found then consider ommiting some details of the plot.Learn how to write, identify and predict the products of simple synthesis and decomposition reactions.
This includes the composition of reactions with oxygen, of two metals, and of metals with. what is a synthesis? A synthesis is a written discussion that draws on one or more sources. It follows that your ability to write syntheses depends on your ability to infer relationships among sources - essays, articles, fiction, and also nonwritten sources, such as lectures, interviews, observations.
A comprehensive, coeducational Catholic High school Diocese of Wollongong - Albion Park Act Justly, love tenderly and walk humbly with your God Micah Below you will see a chart of English language word roots that are common prefixes and suffixes to base words.
(This list is similar to that which appeared previously on this site.). Summary. Dante Alighieri is the author of the Divine Comedy.
He is a famous Italian epic poet. Dante was born into a middle-class Florentine family. The Theology of B. B. Warfield: A Systematic Summary [Fred G.
Zaspel, Sinclair B. Ferguson] on plombier-nemours.com *FREE* shipping on qualifying offers. Benjamin Breckinridge Warfield (–) was undoubtedly one of the greatest Reformed theologians in the history of America. As professor of didactic and polemic theology at Princeton University.